Friday, November 19, 2010

Well, When You Explain It Like That

I think I first saw 2001: A Space Odyssey at the Nuart when I was like 14, because my Dad was really into taking us to see revivals of films that "need to be seen on the big screen" (Lawrence of Arabia was another memorable one).

At the time, I remember being shocked, shocked at how long it was. I thought they should have just skipped right to the space stuff, and I kind of shamefully, in my secret heart, still feel that way. I mean, at the very LEAST, the middle part in the space station that's full of weird cold-war exposition could go.

But each time I watch it, I like it more, and have more patience with it. However, I never felt that I had a strong grasp on what it was actually about. I mean, it's about evolution, and a monolith on the moon that makes a painful ringing noise, and a computer that kills people. But especially the part where he goes into the wormhole or whatever, I think it's really cool, but I have thrown up my mental hands and admitted that I have no idea what that's about (and why his aging self lives in a weird Hearst-like castle, and what the deal is with the space-fetus).

I always suspected it was one of those movies that doesn't have an "explanation" per se...it's just kind of metaphorical and mysterious and not everything has a meaning. But I was wrong, because Stanley Kubrick breaks it down like it's the most obvious thing ever in a 1969 interview:

"You begin with an artifact left on earth four million years ago by extraterrestrial explorers who observed the behavior of the man-apes of the time and decided to influence their evolutionary progression. Then you have a second artifact buried deep on the lunar surface and programmed to signal word of man's first baby steps into the universe -- a kind of cosmic burglar alarm. And finally there's a third artifact placed in orbit around Jupiter and waiting for the time when man has reached the outer rim of his own solar system.

When the surviving astronaut, Bowman, ultimately reaches Jupiter, this artifact sweeps him into a force field or star gate that hurls him on a journey through inner and outer space and finally transports him to another part of the galaxy, where he's placed in a human zoo approximating a hospital terrestrial environment drawn out of his own dreams and imagination. In a timeless state, his life passes from middle age to senescence to death. He is reborn, an enhanced being, a star child, an angel, a superman, if you like, and returns to earth prepared for the next leap forward of man's evolutionary destiny.

That is what happens on the film's simplest level. Since an encounter with an advanced interstellar intelligence would be incomprehensible within our present earthbound frames of reference, reactions to it will have elements of philosophy and metaphysics that have nothing to do with the bare plot outline itself."

Oh, THAT's what that is. Actually, I am not even kidding, this clears up a lot of things.

Let's look at some pictures from the movie!







Via Kottke.

The Dark Side of Design

My philosophy about funny Star Wars related things is that people will continue to do funny Star Wars related things forever, and they will continue to be amusing and delightful and I will never tire of them.

This philosophy might seem overly optimistic, but I think history will prove me right.

Today's example is May the Force of Typography Be With You:





Yoda is the best, obvs. He is straight chillin'. If you click on the picture, the legend shows the typographical symbols that were used.

In closing, have you noticed how not a lot of people use Episode I, II and III as the playground for letting their imaginations run wild? I mean, it just doesn't seem to have the same inspiration for childlike artistic creativy. No judgement, just as observation (judgement).

Via Laughingsquid, from the website Kiss My Black Ads.

Friday, November 5, 2010

Walking in a 90° Winter Wonderland

It has been hot in Westwood lately. Gross, 95°-in-November hot. It's just weird and inappropriate.

BUT the unseasonable heat cannot hold back the winter catalog, which came out this week. Check it out here.

We have a bunch of exciting new classes - it should be fun quarter. In honor of the season, here are some songs about winter but not the holidays, not that holiday songs aren't great, but we will be getting enough of those in the malls and pavillions of the world soon enough.









Thursday, October 28, 2010

Internship: Stephen Cohen Gallery

Stephen Cohen Gallery is looking for highly motivated, hard working individuals to work as interns at the gallery, and for two art fairs taking place this January, photo l.a. and artLA.

These internships involve interactions with all levels of the gallery and fair operations. Candidates must have either educational, professional and/or personal connection with photography and/or fine art. Regardless of getting course credit, you will learn, gain insider knowledge of the art scene and experience the satisfaction from being part of something that wasn’t there before. Candidates should have these qualities.

• highly organized
• self-motivated team players
• can work effectively in a fast-paced & sometimes high-stress environment
• manage time efficiently & establish priorities
• follow through efficiently to meet the objectives of project assignments
• maintain a cohesive & cooperative working relationships
• must be able to go from A to C without being directed
• must be creative & enjoy analyzing and solving problems
• working ability with word, excel & iMac
• strong telephone & writing skills
• familiarity with Photoshop & InDesign a plus

Send all inquiries, resume or CV to: eleonora@stephencohengallery.com

Wednesday, October 13, 2010

Shoes of My Dreams, How Can You Be Mine?


Kobi Levi's shoes are like some kind of fever dream you'd have if you passed out at Nordstrom after sniffing too many perfume samples. They definitely cross the line from cutesy but wearable concepts to straight-up art on your foot. I don't know if that's good or bad, but I do know that the dog ones are oh so cute.

From the artist:

"In my artistic footwear design the shoe is my canvas. The trigger to create a new piece comes when an idea, a concept and/or an image comes to mind. The combination of the image and footwear creates a new hybrid and the design/concept comes to life. The piece is a wearable sculpture. It is "alive" with/out the foot/body. Most of the inspirations are out of the "shoe-world", and give the footwear an extreme transformation. The result is usually humoristic with a unique point of view about footwear. Another aspect of the creation is the realization. All the pieces are hand-made in my studio. The challenging technical development is the key to bring the design to life in the best way."

These are definitely the kind of shoes you match an outfit to, and by "an outfit" I mean a Gallagher-style plastic splash shield for when you BLOW PEOPLE'S MINDS.






Via Jezebel

Wednesday, October 6, 2010

An Evening With Melvin Sokolsky

APA LA is hosting an evening with legendary photographer Melvin Sokolsky.

From their event page:

Melvin Sokolsky will discuss his journey in the word of photography, giving personal insight into the following subjects and concepts;

Melvin Sokolsky "Archive"

"Revelations and Insights into a lifetime of taking pictures"

"Being in charge of your inner vision and creative potential"

Transcending all of the new remarkable tools to find your one of a kind identity

Ideas

Light

Chemistry

Palette

Narrative

Imagined worlds

Revelations from his Paris 1963-1965 classic Bubble and flying pictures.

Wednesday
October 2, 2010
6pm-9pm

Dinner included
FREE for APA Members
$20 Non-Members (Pre-Register online)
$25 Non-Members (Day of or at door)

Wednesday, September 29, 2010

Colorful Contorted Characters


Choreographer Willi Dorner is responsible for a recent art piece, "Bodies in Urban Spaces" in which brightly-dressed performers form complex bodily arrangements on the streets of New York.

The effect is really cool! I hope everyone showered really well and used deoderant beforehand, because it looks like certain performers might have to spend some time with their noses directly in other performers' armpits or feet.






Via Laughingsquid

Monday, September 27, 2010

Bambi Corona


I love this deer made of typewriter parts.

What are the legs? Do typewriters have telescoping appendages that I am not aware of?

By artist Jeremy Mayer, via Boingboing.

Tuesday, September 14, 2010

Instructor Interview: Ben Britton


It's been a while since we've had an abstract painting class on the schedule, so we're excited that Ben Britton will be joining us this fall to take his students on a painting adventure (paintventure!).

He shared some thoughts with us about painting, what inspires him, and what to do when the tide of inspiration is out.

What are you focusing on in your own practice right now?
I'm focusing on harnessing the quality of surface right now. My paintings tend towards the polyglot, in that I use diverse vocabulary and try to keep it all together. Surface has been a challenge in that environment. Because of the surface considerations, I'm making a selection of new processes to use in my paintings. Also, I guess I'm following a thread-of-inquiry to new place right now in anticipation of a residency I'm attending in November.


What are some of the challenges unique to abstract work?
Not entirely unique to abstraction, but certainly in play is the perception of a lack of moment-to-moment "marching orders" or tasks that clearly need to be performed. The development of a sensibility that can operate with seemingly endless options for action and inaction is a challenge, but a sweet one. The choices force an exploration of emotional and intellectual conversations and impulses in a very satisfying way. It goes another way too: the viewer can be challenged to think and feel along the same pathways without clear "instructions" for interpretation.

What do you hope students will come away from the class with?
I hope they will come away really enthusiastic about making more paintings!


Who are some artists you admire or have inspired you?

Among painters, from the beginning I loved the paintings of James Rosenquist, Richard Diebenkorn, and Frank Stella. Ok, I also love Sargent, Velasquez, Hals, and Manet. I like the work of James Ensor, and also that of contemporary expressionists like Amy Sillman, Daniel Richter and Peter Doig. I've always liked the motion in Julie Mehretu's drawings. Fiona Rae's work is also an influence for me when it comes to post-modern painting. I get really excited when I see convincing cases made for contemporary manifestations of the romantic impulse. I love Kristin Baker's paintings for that reason. Artists who were my teachers at SVA and UCLA such as Tobi Kahn, Don Eddy, Micheal Goldberg, Don Suggs, Patty Wickman, Lari Pittman, and Roger Herman were inspirational to me as well. My wife, Sarah Lowing, is an artist and a lot of my friends are artists, so knowing them and their work together is a rich experience that ranks pretty high as far as admiration and inspiration too. And many more but that's all for now.


What advice would you give artists who are just getting started or are trying to commit more to their work?
Practically speaking, figure out how to paint more often. Whether the strategy is simple frugality, going to school, or renting a room-of-one's-own, the main thing is to paint more. If you have a sketchbook always with you at your day-job, so that when you get a flash idea it doesn't get lost, that's a good way to stay in the game. Sometimes many things or big things are possible, sometimes not. DIY if you're short on funds. Work in whatever way that fits for now, and when you feel you've outgrown that mode get more ambitious. Respect that the tide goes in and out, and you can rest on the mud awhile if you are forced to, but be patient and don't abandon ship. It's really important to stay open, to be excited to see a thing that's new or just new-to-you. We live in a really interesting time to be an artist, and the question of who gets to be the artists and why will get answered one-by-one, by people who choose to make art. I think that's a lovely and empowering thought.

Wednesday, September 8, 2010

Calligraphy Is Where It's At


Student Alisara Tareekes made a beautiful poster for an upcoming class with Carrie Imai, our calligraphy guru.

Seriously, this poster is gorgeous. Great job Alisara!